A young couple decides to get married quickly to avoid pressure from their families. The girl wants to become an IAS officer, and her husband promises to help her achieve her dreams. But there’s a misunderstanding, and their families think she’s pregnant. This causes a lot of confusion and chaos, putting their plans in jeopardy.
The movie mainly follows three characters: Ira Mishra, a determined young woman aiming to become an IAS officer; Heer Chawla, a carefree guy; and his grandfather Brij Bhushan Chawla, who’s eager to become a great-grandfather.
Pressure mounts on the couple to marry and continue the family line. They hatch a plan: faking a pregnancy so Ira can focus on her exams without household responsibilities. Things take a dramatic turn when a fake miscarriage occurs after an accident.
The story explores Ira’s struggle with infertility and its impact on the couple and their family.
Movie Storyline
Director G Ashok’s comedy-drama unfolds in a sprawling haveli, bustling with eccentric and boisterous family members. However, the film’s reliance on familiar tropes and exaggerated drama makes it feel formulaic, lacking originality in both its content and characters.
Penned by Raj Saluja, Niket Pandey, Vijay Pal Singh, and Shobhit Sinha, the storyline is punctuated with slapstick humor, predominantly delivered through puns and witty one-liners like “Stent lagane ki umr mein stunts kar rahe ho.
While some scenes involving innuendos, such as the intoxicated family men mistaking a fake baby belly for an adult diaper, aim for humor, they come across as more absurd than amusing. Additionally, several plot threads offering quick fixes to ludicrous situations feel contrived and overly convenient, resulting in a narrative that struggles to convince viewers of its authenticity.
Set against the backdrop of Agra, the cinematographers Jayesh Sen and R M Swamy seize the opportunity to showcase their talent.
From the majestic Fatehpur Sikri to the mesmerizing sunset at the Taj Mahal, the duo skillfully captures the city’s beauty, offering viewers a visual feast. Additionally, the film features some impeccably shot songs that further enhance the cinematic experience.
The soundtrack, curated by Guru Randhawa, Sachet-Parampara, Meet Bros, Nilesh Ahuja, and Sadhu Sushil Tiwari, presents an eclectic mix of music, ranging from upbeat club bangers like “Ishare Tere” to soul-stirring romantic numbers like “Jeena Sikhaya,” adding depth and emotion to the narrative.
Saiee Manjrekar delivers a decent performance in her role, while Guru Randhawa shines as a charming and goofy character.
The duo shares a breezy on-screen chemistry that adds to the film’s appeal. Although Guru Randhawa handles light comedy well, he appears inexperienced in emotional scenes. Anupam Kher portrays a loving and vibrant grandfather convincingly, and Ila Arun excels as a boisterous and caring chachi.
Starcast Performance
Paritosh Tripathi impresses as a sarcastic adopted son, contributing effectively to the film’s comedic elements. Senior South Indian actor Brahmanandam makes a notable appearance as a mafia don, showcasing his renowned slapstick flair with finesse.
Guru Randhawa still has some room to improve his acting skills as he appears a bit inexperienced. Saiee Manjrekar, on the other hand, does a decent job and manages to deliver her performance well. Anupam Kher, as always, is reliable and gives a good performance.
Ila Arun puts in effort, but her character is written in a way that can be annoying, affecting her performance. Atul Srivastava and Paresh Ganatra provide solid support in their roles.
Paritosh Tripathi succeeds in bringing some laughs to the audience. Brahmanandam’s character is hilarious, but unfortunately, the script doesn’t fully support him.
Direction and Production
The film struggles to cover up its weak storyline right from the beginning, which can be frustrating for viewers. The family in the movie acts in confusing ways – they tell Iraa to focus on her IAS exams, but then they also expect her to do a lot of housework and office work.
It doesn’t make sense. Also, a character named Rajjo assumes Iraa is pregnant without even asking her, which seems strange.
The first half of the movie has some funny moments that keep it interesting, but things get serious after the break, and there’s a twist that doesn’t help the movie. Plus, the second half of the film slows down a lot, making it hard for viewers to stay interested until the end.
In its 125-minute duration, “Kuchh Khatta Ho Jaay” offers plenty of laughs and witty one-liners, keeping the audience entertained with its humor. However, the main storyline and unconventional events may not fully satisfy viewers, leaving room for improvement and a desire for more substance.
The songs like ‘Jeena Sikhaya’, ‘Jhol Jhal’, and ‘Iss Baar Jo Chale Gaye’ leave a lasting impression on the audience. ‘Bottley Kholo’ is played during the end credits. Vijay Verma, Anamik Chauhan, and Lyton’s background score fits well with the film’s theme.
R M Swamy’s cinematography doesn’t stand out, and the frequent shots of the Taj Mahal may feel repetitive and tiresome for viewers. Prameet Saini and Divya Gupta’s costume designs, especially those worn by Saiee Manjrekar, are elaborate and visually appealing. Rahul Sharma’s production design resembles that of a television show. Dhiraj Kumar Wadhwa’s editing doesn’t offer anything remarkable.
Yomovies Conclusion
In terms of performances, Anupam Kher and Ila Arun steal the spotlight in “Kuchh Khatta Ho Jaay.” Kher delivers some impressive scenes and portrays his character well, while Arun brings plenty of laughter with her comedic timing.
Guru Randhawa, despite his strong image, deserved a better debut in terms of acting opportunities. Saiee Manjrekar shows significant improvement, although she could refine her dialogue delivery for even better results.
Unfortunately, actors like Paresh Ganatra, Paritosh Tripathi, and Atul Srivastava are underutilized in their roles. It’s disappointing to see how Brahmanandam, a talented South American comedian, was wasted in his cameo with a poorly written role.
Overall, while some performances shine, others are not given enough room to showcase their talents, detracting from the overall impact of the film.
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